Opening on 19 June at Dulwich Picture Gallery is Yoshida: Three Generations of Japanese Printmaking – the first UK exhibition of this Japanese printmaking dynasty.
Presenting artworks by three generations of the celebrated Yoshida family, the exhibition traces the evolution of Japanese printmaking across two centuries, starting with work by Yoshida Hiroshi (1876-1950), who is recognised as one of Japan’s greatest artists. A pioneer of the shin hanga movement, Yoshida Hiroshi travelled across the world and gained an international reputation for his woodblock prints of American and European landscapes. New research will provide an insight into Hiroshi’s time in London, including his visit to Dulwich Picture Gallery in 1900. Along with over 20 works by Hiroshi, the exhibition includes his signature in the Gallery’s visitor book and his diaries.
Yoshida Fujio (1887–1987) is the focus of the next section of the exhibition, whose work is being displayed in the UK for the first time. A renowned watercolourist, painter and printmaker, Fujio was married to Hiroshi and travelled with him across the USA and Europe, exhibiting her delicate watercolours of Japan to acclaim. Upon returning home in 1907, she took part in the first exhibition organised by the Japanese Academy of Arts. A skilled printmaker, Fujio later became known for her iconic close-up designs of plants and flowers.
The exhibition continues with work by Hiroshi’s and Fujio’s sons, Yoshida Tōshi (1911–1995) and Yoshida Hodaka (1926–1995), both of whom brought post-war abstraction to the Japanese printmaking process. Early on in his career, Yoshida Tōshi followed in his father’s footsteps, depicting landscapes and cityscapes, but experimented with abstract prints after World War II. The exhibition will include some of his most accomplished works, including Night Tokyo: Supper Waggon (1938) and Camouflage (1985).
Yoshida Hodaka was a leading printmaker in post-war Japan. In a break from his family’s established style, he expanded upon traditional printmaking and incorporated collage and photoetching into his practice. Like his father and brother, foreign travels influenced his choice of motifs, but he was also inspired by Pop Art, Surrealism and Abstraction. Works such as Profile of an Ancient Warrior (1958) and Nonsense Mythology (1969) will demonstrate his unique style.
Yoshida Chizuko (1924–2017), who married Hodaka, was a renowned artist and co-founder of the first group of female printmakers in Japan, the Women’s Print Association. Chizuko often depicted landscapes, nature, and traditional Japanese scenes but she also explored aspects of abstraction and repetition. Her works were said to have connected popular art movements such as Abstract Expressionism and traditional Japanese printmaking. Highlights will include A View at the Western Suburb of the Metropolis/ Rainy Season (1995) and Jazz (1954).
The exhibition will culminate with a new site-specific installation of cherry blossom by Yoshida Ayomi (b. 1958), Hodaka’s and Chizuko’s daughter. The youngest member of the Yoshida printmaking family, Ayomi’s practice combines traditional Japanese printmaking techniques with modern elements, often utilising organic materials, and she has been exhibited at major international institutions. Ayomi’s immersive installation, a new work created especially for Dulwich Picture Gallery, will explore the recurring theme of seasonality in Japanese art and is inspired by the Cherry trees in Dulwich Village, originally taken from the iconic site of Yoshino in Japan, famous for its cherry blossom.
Yoshida: Three Generations of Japanese Printmaking will feature loans from international and private collections. The majority of works by Yoshida Hiroshi will be on loan from the Fukuoka Art Museum in Japan and are travelling to the UK for the first time.
Jennifer Scott, Director of Dulwich Picture Gallery, said: “I get goosebumps thinking about Yoshida Hiroshi’s visit to Dulwich Picture Gallery in 1900. We (metaphorically) welcome him back with this landmark exhibition which introduces UK audiences to his exquisite work and to his legacy – an exceptional family of printmakers.”
Yoshida Ayomi said: “When I found my grandfather’s signature in the Dulwich Picture Gallery guest book, my heart skipped a beat. What an exciting and intriguing journey it must have been for Hiroshi, then an unknown painter and only 23, travelling from a country so far away. How proud he would be of this family exhibit of six, welcomed 120 years later at this wonderful museum.”
Yoshida: Three Generations of Japanese Printmaking opens at Dulwich Picture Gallery on 19 June (until 3 November 2024). For further information: dulwichpicturegallery.org.uk
Image: Yoshida Hiroshi, Kumoi Cherry Trees, 1926. Courtesy Fukuoka Art Museum
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